We have all had this experience. Sitting at a table in a dark corner in a nicely renovated hotel, wishing there was more light so I didn’t have to use an on-camera flash. Maybe this meal is something you’ve never eaten before, and it would be icing on the cake if you could take a nice photo and put it online.
In the field of food photography, natural light is always touted, after all, it produces the best results; however, “the best is not necessarily the best”, since the intensity and angle of sunlight are affected by weather and time, natural light conditions Often uncontrollable, there is a feeling of “depending on the sky to eat”.
Sony FE 16-35mm F2.8 GM lens is the sixth lens of the G Master series, and it is also the last piece of the puzzle for Sony’s E-mount ternary lens. Since then, Sony micro-single users finally have their own native junior Meta lenses, FE 16-35mm F2.8 GM, FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS.
The flagships of vivo X-series traditionally offer a lot of good ideas in the field of mobile photography. The X70 Pro + is no exception. He got gimbal stabilization, optics and a set of filters from Zeiss optics, as well as unusual modes in the settings.